Drugs and alcohol are not the solution to my problems. Whenever I'm on them, I can never get enough or get what I want anyways. I'm usually just frustrated or bored and that's why I begin using.
Monday, February 22, 2010
Changes
Friday, February 19, 2010
Is This It?
First, I want to apologize to whoever happens to stop by this blog. It's true that I only post to this blog occasionally, and it's also true that I post my deepest fears and frustrations here.
Monday, December 21, 2009
Lost Illusions
I suppose my current state of mind has something to do with the fact that I don't fall asleep before five o'clock every morning.
I watched a movie tonight. It was called Lymeville. With Alec Baldwin. It was good.
There are a number of things I could be doing right now. I always seem to have a list of things to do.
I'm like you, I have artistic ambitions. I have a novel I would like to get back into.
It's sad that I can't make a messy blog post. That's what this blog is for, my messier self. I allow myself to be messy here. I almost never allow myself to be messy.
You will find a general trend in all my writing. I'm not bragging when I say my writing is perfect, but it takes me great pains to make it that way. Here, I am not trying to be perfect, and that in itself, is a relief.
So much of my life has to be perfect. Even my experiences, my meals, my relationships . . .
I'm thirty years old. I seriously feel like I'm becoming an adult for the first time in my life. And that's a strange feeling.
There are so many illusions when we are younger, and not even younger, just a few years ago I was clinging to my illusions about life.
What's there to look forward to when you've given up your illusions?
Nothing bad for me satisfies me anymore. I used to heap all my illusions onto drugs and a manic state of mind. Thinking I could live in some fantasy world with my passions, with my creativity.
One by one, those illusions have been pierced.
We chase after things, and then when we finally have them we discover, well, we discover the pain of having them. And in this way illusions are broken down into vivid realities, into realizations about life, about self, and those around you.
The movie was depressing. But life is depressing. We can't escape that no matter how hard we try.
While I was watching the movie, I got in touch with one of my deepest, most elemental feelings--loneliness. It's true that I've always felt lonely, my whole life, I never seemed to "have" anyone. It was always me. By myself. And that's the way it was ever since I was a child. Always looking out--wondering why I was alone.
Until my loneliness and my aloneness became such a matter of fact that I accepted it. And throughout the course of my life, I took drugs to feel less alone.
But after awhile things which used to make ourselves feel better only make us feel worse.
Lost illusions.
What is it that we're after? I mean we already know that money complicates things, and fame can make you miserable.
Love was never something I actively pursued. I still wonder whether it lasts. Nothing lasts. Why should love?
Art. There's always art. And for a long time, I've heaped my illusions on art. Art is really how I cope with all of this. But lately I've been thinking that there's no final redemption in art either. You just create art and that's that.
As writers and artists, however, we're always looking into the future. We're thinking about our next big project. And it has to be perfect. Everything I do has to be perfect, which is why I'm writing this here tonight--to allow myself to just be.
I'm sick of shaping my thoughts into essays; I'm sick of chiseling my sentences. I just want to have the freedom to write what is on my mind.
Who are we trying to be? Who? That's what I want to know . . .
I want to know who I am, under the agony of this mechanical, programatic self--
Who is spontaneous me? Who is a surprise?
I can discover this person through writing, but not the kind of writing I'm accustomed to, that is, impressing people.
Sometimes experiences aren't complete yet. Sometimes you just got to accept that things are going to be left undone.
Wow. I just realized how pointless all of my stupid desires are. Desires like wanting to be famous. Like wanting recognition and the desire to be wealthy. Everyone wants these things. I'm not unique.
Once you stop desiring these things, well, life becomes pretty straight-forward. But also slightly boring. You have nothing to anticipate, no hopes, no illusions . . .
I simply cannot cling to the same illusions I've held onto for my entire life. I can see through them.
But without them, I'm even more lonely, I'm not any happier, perhaps less happy.
What's to life? Could this be all? After your illusions are pierced, you're left with the remainder of your life. What will I do with the remainder of my life knowing what I know now?
Sunday, November 22, 2009
Standing in a Parking Lot

After getting a Starbucks coffee (Border's was closing), I stepped out to have a cigarette.
Tuesday, June 2, 2009
Aurelio Madrid Drew My Portrait
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It's not every day that a person you've never met before tells you they want to draw your portrait.
And then, two days later, they send it to you.
On a daily basis I engage with an assortment of multi-faceted individuals via Twitter.
There is a conception that the Internet dis-connects us as well as connects us. But I am interested in the ways it draws us closer to our social nature.
Composing art for someone--especially a stranger--is like a mystic tie. Now that Aurelio has drawn these pictures of me, I'm curious about him.
Aurelio Madrid's blog, "Luctor et Emergo", fuses paintings, drawings, interviews, and topics as diverse as coin-collecting and Buddhist metaphysical thought.
What is most striking to me about Aurelio's blog is that he reminds me of myself. Having meditated for five years and studied Buddhist philosophy, I am in awe of his meticulous writings on karma, cause and effect, and the nine consciousnesses.
Aurelio goes so far as to diagram aspects of Buddhist philosophy in a colorful and mystical representation. I love the intermingling of art, philosophy and religion. It reminds me of some of the mandalas that Carl Jung painted.
The artist uses the diagram to explain the concept of "Fundamental Darkness". He writes:
Is this a sign that I should go back to studying Buddhism? Or maybe just pick up meditation again?
Fundamental Darkness is many things, including not recognizing our own Buddha nature & not recognizing the Buddha nature in others. A key difference from a traditional/western notion of evil, is that we Buddhists acknowledge that fundamental darkness is latent in all of life (including our own), rather than occurring only in specific individuals/groups exclusively. The theory is that we can use it as a motivation, a catalyst to improve, & as an impetus to strive for enlightenment.
While I'm not a Buddhist, I can identify with Aurelio's passionate interest in the philosophy. Furthermore, I know something about the kind of person he is for creating these portraits. He longs to connect with strangers.
Nothing brings me more joy than communicating with the unknown. I love the diversity of humans on earth, the bottomless source of individuals and personalities. There are so many gifts that each of us have to give away. We hold so many secrets inside and are dying to reveal ourselves to each other . . .
Tuesday, May 19, 2009
The Artist and His Museum (of Links)
"The Artist and His Museum" by Charles Wilson Peale
Cabinets of Curiosities, or Wonder Cabinets, according to Wikipedia, were:
encyclopedic collections of types of objects whose categorical boundaries were, in Renaissance Europe, yet to be defined. Modern science would categorize the objects included as belonging to natural history (sometimes faked), geology, ethnography, archaeology, religious or historical relics, works of art (including cabinet paintings) and antiquities. "The Kunstkammer was regarded as a microcosm or theater of the world, and a memory theater."
I've decided to create my own Wonder Cabinet from the links I've found on the Web. My thanks to all those people who told me they enjoyed these links and encouraged me to take it one step further to collect and organize them.
My categories are sometimes accurate, sometimes not. These links represent the microcosm of the Internet that I have discovered, in all its dappled, variegated, heterogeneous manifestations. If you have a link that you think belongs in this Wonder Cabinet, please send them to @escapeintolife on Twitter. And do let me know if any of links aren't working. :)
Lethe's Top Picks
Sad, disturbing and beautiful photography
Hyper-Realist Sculptures that will blow your mind
Notebook Animation. Very Convincing.
Controversial Essay about J.K. Rowlings
Celebration of Colors
Kanuai--The Most Beautiful Nature Photography in the World
Blu Walls--Impressive Online Sketchbook
They Didn't Study . . .
Reader gives 95 reasons why she hates Twilight
19th Century Pregnant Dolls
Scientists May Have Cured Cancer Last Week
100,000 Toothpicks--Ryan Huston
Illustration Art
Silke Werzinger, great illustration artist in Germany
The Works of Matei Apostolescu, Romanian genius illustrator
Ronald Kurniawan, Los Angeles Illustrator, surreal
Keith Thompson, Gallery of Robots
DQ Books
Audrey Kawasaki
Jean Babtiste (children's book illustration)
Kukulaland (illustrations and paintings)
Verabee! (storyboard Artist from Russia)
Maricormaricar--team of illustrators
Jen Wang
Fun
Virtual Cat (Flash)
Bomomo--"I'm not even going to describe this link"
I Think That You Are . . .
Cat Bus
Ten Most Fascinating Mazes
Eight Irresistible Principles of Fun
Sandcastles from God.
Alan Watts on South Park
The Museum of Bad Art

A corner of a cabinet, painted by Frans II Francken
Art (General)
Adolf Wolfii, Outsider Artist and genius
Book. Sketchbook. Collective Art. Random Art.
Martin Hoffmann, brilliant artist from Germany
Maggie Taylor--Magical Fine Art
Kutiman "This is What it Became"
Incredible Ball-Point Pen Art (Crooked Brains)
Ten Works of Art Inspired by Super Mario Bros.
100 (Really) Creative Business Cards
3D Sidewalk Art. (Optical Illusions)
"but does it float" Design and Art Blog
BOOOOOOOOOOOM! Art! Design! Music! Film! Projects! Photo!
Ice Sculptures of Melting Men by Nele Azevedo
Art in Cities
Hope and Fear, photography and sculpting
Art made out of folds in paper
Wikipedia Art
Contemporary Art Blog
Joe Feliciano plays "Flight of the Bumblebee" on Guitar
Artcyclopedia--Guide to great art on the Web
Art can be cryptic
Vladimir Kush
Interesting and Frightening Mixed-Media Sculptures
Self-Representing Artist's Community
James Jean--Divine Art
Animal World
Amazingly Unique Pets, Insects, and other Animals
Photography
100 Gorgeous Wildlife Photos
Fire Breather
Invisible Man--Jeff Wall
St. Petersburg by A. Petrosian
Hot Library Smut (The Nonist)
Close Call
Infinite Wisdom Spring from Infinite Love
Catching Waterdrops
Liquid Sculpture
Creative Photos by Chema Madoz
Goat Jumping over Notch
Eugenio Recuenco
Arizona Canyon
Arizona Desert--Is it real or just a dream?
The Stata Center at MIT -- Frank Gehrey's Mind
Wicked Photography--Chris Anthony
Anatomy, anyone?
Google Office Pictures
Twenty Stunning Panoramic Landscapes
Books/Literature
"Catcher in the Rye sequel published, but not by Salinger" (The Guardian)
Amazon Supplier Abandons Warehouse: Leads to Mass Chaos
Archive of Book Cover Designs
Stephen King's Real Horror Story
David Foster Wallace: The Death of a Genius
Franz Kafka's "The Metamorphosis" adapted by Peter Kuper
Revolutionary Espresso Book Machine (The Guardian)
Planet eBook: Free Novels
Books that will induce a mindfuck
e.e. cummings poems
"Believe" Lewis Carroll
Postmodernism is Fiction (contemporary authors)
100 Best Graphic Novels of all Time (Time magazine)
Kurt Vonnegut Quotes
Alternative Culture Magazine-Blog
Ole Worm's cabinet of curiosities, from'Museum Wormianum', 1655.Society
Universities will be 'irrelevant' by 2020 (Deseret News)
Sex via Text Message (New York Times)
Downward Spiral--what a life of drugs and crime will do to ya
"Zombies: Do They Exist?" (Time Magazine)
Founders of Pirate Bay come up with Ingenious Scheme
Three Year Epic Prank on one Stranger (Urban Prankster)
100 Illustrated Horror Film Posters (Part One)
100 Illustrated Horror Film Posters (Part Two)
Micro-payments won't save journalism
Conjoined Twins, Abbey and Brittnay Hensel turn 16
Horse Legs for Humans
Face Transplant: "I'm not a monster"
Fish Found in Boy's Penis
The White House Scam.
Blago Inspires "Bleep n' Golden" Hair
Blogging/Social Media/Twitter
Very Talented Cat has a half-million followers
How to Publish your Blog on Amazon Kindle (Mashable)
Real-Time Streams (TechCrunch)
Twitter Etiquette
Wanna see the Twitter Bird on Drugs?
Nine Twitter Tips for Business
How to Twitter: A Beginner's Guide
Online Tools for Radical Collaboration
Twitter Wants Distribution Deals Not Buyout (New York Times)
17 Ways to Visualize Twitter Data
Social Media vs. Institutions
5 Terrific Twitter Tools for Research
10 Twitter Tools to Manage Your Followers
County to Pay 70K for a Twitter/Facebook Guru
The Man Who Made GMail Says Real-Time Conversation is Next
The Art of the Tweet
Philosophy
Alan Watts--Meaningless Life
Squashed Philosophers--Condensed Philosophies
Ayn Rand--Faith vs. Reason (Interview)
Harry Frankfurt-- "On Bullshit"
"Is the Internet Killing Culture?"--an essay I wrote (thought I'd sneak it in)
Salman Rushdie predicted the Webstream
Polytopia (the emergence of)
Psychology
The Psychology of Attention
Psychiatric Help $5
Reading Test
Why We Do Dumb or Irrational Things
Wisdom
Toltec Wisdom (video)
Alan Watts--Is it Serious?
"If We Loved Time" by Charles Van Doren (Forbes Magazine)
The Pursuit of Emptiness by John Perry Barlow (lyricist for the Grateful Dead)
Monday, May 4, 2009
Lee Li Xian

Self-taught illustrator from Singapore who studied Apparel Design and Merchandising at Temasek Polytechnic. Her works are incredibly original.
On Behance, a creative portfolio network, Xian's collections are arranged by thematic title, such as “My Machine Pal” (sample above) and “Color me and tell me I’m Colorful”. These unassuming works have a striking originality. Evocative of children’s book art, and done mainly in watercolors, there is a subdued, non-aggressive quality to the illustrations, but the themes are often complex and thought-provoking.
Right now I’m looking at “My Machine Pal” and Xian's art has so many connotations with our modern age of technology and gadgets. It doesn't take a leap of the imagination to realize that many of us are “closest friends” with our machines. Take away my cellphone or MacBook and watch all hell break loose. I'm emotionally connected to my machines. Xian's work captures this reality so well--and it is her unfeigned, guileless style which makes me smile at my own absurd behaviors. Her work brings me closer to myself and my own reflections. It is not an overt conceptual statement; it is merely suggestive and light-hearted, though pointing to a deeper truth.
In the collection "Color me and tell me I'm Colorful," Xian goes further with coupling an adult motif and a guileless, childlike style. The grotesque and bizarre enter the picture. A creepy, big-bellied man with one black pupil and one blue looks up at us. Presumably dancing a jig, he bounces (the curlicues are shown) on wooden shoes as if on a pogo-stick. His ragged mustache, hanging down like seaweed, adds to the overall creepiness of this water-colored leprechaun. What a wonderful sense of style Xian has--to put a tightly-wrapped argyle shirt and knickers on him!
He may be winking at us or he may be leering upwards. This half-menacing, half sweet depiction frightens while at the same time evokes a latent sympathy for the character. The rest of the illustrations in the collection seem to depict lonely characters, either monstrous-looking, crying in panic, or staring into the back of a mirror and appearing in the opposite end.
I love the white space around the illustrations. The watercolors are brought out by that white space, and the overall effect is one of incomplete beauty. Like a child's notebook where each page has one sparse drawing on it, Xian's art mingles innocence and emptiness while conveying an original intelligence.
LEE LI XIAN'S WORK
This post is the second in a series of illustration art reviews. This month Escape into Life, Arts and Culture webzine, will become a permanent hub for illustration art reviews. If you would like to write reviews for us, please contact me.
Saturday, May 2, 2009
What is it to be an artist?

What is it to be an artist?
I admire art. I'm writing reviews of illustrative artists right now and my heart sinks when I see mastery, true mastery.
One of my major conflicts in life is this.
I want to create, but to create freely.
But ultimately. I want to be myself. I want to be myself in everything I do, every sentence I write, every gesture I make, every person I speak with.
Herman Hesse, a great, self-realized artist, wrote:
I only wanted to follow the promptings of my true self, why was that so difficult?
That statement conveys my entire existence.
My mother was an artist. She never reached her peak however. She had a disease which robbed her of the years it would take to reach a level of mastery in her art. With enough time, my mother would have become a great artist.
She struggled. She was like me. She had a compulsive drive to create. The compulsion comes from a deep, wrenching desire to express; and at the same time, the inability to fully express. This is the conflict inside of every artist.
It is the struggle that won't let me fall asleep. Because I have to write. Something. I don't know what it is yet. But it's there inside of me, barking, screaming, crying, aching, swearing.
Even the illustration artists whom I revere like Yuko Shimizu, the ones who appear to have mastered their art, they still struggle with the inability to fully express. Because full expression goes beyond skill, beyond talent.
It is the spiritual side that eludes the artist, no matter what their powers may be. It is the novelist who, after writing twenty-five novels, still feels like a beginner.
And for those artists who overwhelm us with their talents, Nabokov uses the expression "the dubious splendors of virtuosity". Meaning, those who flaunt their powers are suspect.
Art is a deeply personal thing. We must connect with the artwork. It is not about the artist. It is about the connection.
It's 4:22 in the morning. I cannot sleep. The wrenching, agonizing desire to write, to express something, has kept me awake. Until I write this, I cannot shut my eyes in peace.
Maybe this sounds overly-dramatic of me. But it is true. On most days, the day is half over before I even get out of bed. I was writing the night before.
What I want is driving me, it's a Morpheus-like god. Subtly forming and transforming in dreams. Never concrete enough for me to take hold of it.
My ex-girlfriend came over the other day. Having lived with her for almost a year, I'm familiar with her struggle--the particular troubles her character lends itself to.
Heraclitus: Character is fate.
Her struggle is transparent to me; just as mine is opaque. I don't see my own struggle. She sees right though me. I am transparent to her.
I told her that I believed each of of us were married to our own struggles. And we can't escape them because it is who we are.
I don't think she was listening. She may have been listening to her struggle.
But I'm a philosopher and I like to think about life as if I were looking down over the whole perplexed human drama and adding my commentary.
Maybe there is no connection. Maybe some of us really don't have "struggles" as I like to think of them in the grand and over-arching sense.
Right now I consider myself successful in one area of my life--my business. But no matter how successful I am in that one area, I will always look at the part where I feel I'm not successful.
"There must be something wrong. I've got to fix that."
But what is success? And what am I not successful in?
Maybe I'm not the artist I imagine myself to be. The artist I want to be. Maybe I expect myself to create more then I do. Or maybe I should be creating something else.
No, that's not it. I'm a prolific writer. I regularly update my blogs and I write long essays that maybe some of you are familiar with.
But that is not enough. Nothing is ever enough.
I hunger after what most people hunger after. Fame, wealth, power, women to desire me.
Phantoms. They are phantoms because, at least on a material level, I have more possessions, more comforts, more luxuries then I will ever need and these material things don't make me happy. So I know that by analogy the others won't make me happy either.
The Internet has sucked me in whole. I spend a lot of time on the computer, for work and personal use. What am I searching for? "Fans." "Friends". "Followers."
Maybe lovers.
How do we conceive "the Internet"? It's like this vast jungle without any demarcated boundaries. There's no organization. The closet thing to organization is a search function called Google.
The millions of users, on millions of blogs, websites, Facebook, Twittter, leaving comments, making posts, adding links. I don't know where to enter. There are too many doors. Too many exits. Too many tunnels. And too many signs. I need to conduct research simply to find something I like, a group of blogs I can read regularly.
It's a small miracle that people are even reading this right now, a small miracle that they have found me.
ARTWORK BY YUKO SHIMIZU
More Essays . . .
Sunday, April 19, 2009
Vanity, Insecurity, and Shame

There are things I want to say.
I'm done with my dating phase, which lasted a brief month and a half. Most of it, I'm guessing, was spurred on by that phenomenon called "the rebound". But there was some genuine interest and excitement in the opposite sex. At one point, I said to a friend that life was, at it's core, terribly dull and monotonous, and the only relief from such an unbearable existence came from the charms of a woman and her mysterious ability to distract us men.
While this may be true, I have no desire to entertain the notion any longer. I've enjoyed the time I've spent with women, but I'm prepared to not have to rely on their attention to keep me fully engaged in life.
You can read from my last post that I seemed to have fallen into a state of dissolution. This state threw my father and my ex-girlfriend into a panic about my welfare. Was I using drugs again? Was I drinking?
I candidly told my father on the phone that he had to let me make my own mistakes. "I'm turning thirty years old in July, Dad. Don't you think it's time to let go." But my father worries, like all fathers, and plus, he has seen me through a serious drug addiction.
That was ten years ago. So, not to get off the subject, but I had fallen into a state of dissolution--not unlike that of a depressed person who sleeps for two weeks straight, or an over-eater who binges on ice cream and Twizzlers every night before bed.
I flirted with toxins. I drank cocktails at night, and smoked cigarettes. Nothing more, nothing less. It may not be the healthiest thing in the world, but it sure ain't a crime.
Now, as I was saying, I don't want to date anymore and I also don't want to go out of the house unless I absolutely have to. The truth of the matter is I can't bring myself to seeing anyone right now.
For about four months, I've had a certain routine. I wake up (at whatever time of the day) and I drive to a local Borders to have my coffee and read the newspaper. I read the Sunday New York Times and I read the sections all throughout the week, which generally breaks down to about one section per day. After this ritual, I return home for breakfast if I've not eaten yet and then I begin my work. I work as a freelance writer and Internet marketer for several companies and individuals. I'm proud of my work. I love what I do. And frankly, it keeps my life in check. Even during my dissolution, I got my work done. I never drank while I was working.
After about four hours of work, I eat dinner and then return to Borders for an evening coffee and more New York Times. When I'm fully satisfied with my reading, I go back home, where I work for another four hours or so.
So there you have it. That's my life in a nutshell. The dissolution and the dating occurred on the side, either on the weekends or after my work was done.
The reason why I suddenly cannot go to Borders anymore may then seem a mystery. This was my routine; nothing could tear me from it. Bars and women, I could survive without, but the New York Times, Borders, and a fresh cup of industrial strength coffee was my lifeline. 
I don't want to be seen in public now.
If I must go out, such as to get groceries every week, then I will. But I already bought a bag of Breakfast Blend coffee beans from Starbucks which should last me approximately twelve days if I have exactly four cups each day.
If I tell you why I have this sudden urge to stay at home and not go out, you will undoubtedly think it is the silliest thing you've ever heard. And to be sure, it is. To anyone who has lived outside of my world, and to everyone else in this world who is not me, it is indeed the most deplorable, ridiculous, need I say, pathetic reason to not leave the house.
A good portion of my history as a human being has been pathetic and so I'm not discovering anything new. Nevertheless, I will say that my insecurities are not abnormal. I've just taken my insecurities to another level. Well, I only have one insecurity that really dominates my life and has since I was sixteen.
I will reveal my insecurity to you in a moment--the insecurity that is baring me from leaving my own home. But first let me say that I'm not depressed, I'm not angry at the world or myself. In fact, I feel a great amount of self-possession and even contentment right now. I'm at peace.
It is almost as if I needed this poor excuse to escape from the world and to be alone for awhile. And not even "alone". Alone suggests that I want people to leave me alone, which I do not. I welcome people to call me and talk with me. If a friend wishes to stop by, I will not prevent him or her from coming in the door.
But, as I said, I do not want to go out in public unless I absolutely have to. And so, I will conduct all of my business from home, which I do anyways. But I'll also confine myself to my home, which means no coffee runs, no late night drinking at the bars, no meeting friends for dinner.
Whether I should try to give up smoking during this interim is a good question. I might want to take advantage of that. Because it's one less place I would have to travel outside of the house--to pick up cigarettes.
It gives me great satisfaction to think that I can do everything I need to do from my home. An incredible self-sufficiency. If I need to shop for groceries, I'll do so at a later hour, when not many people are crowding the aisles, and at least the ones who are in the aisles look scarier than I do.
Like I said, I'm content, marvelously content, even exuberant at times being here in my house. By not rushing out the door for every little thing, I will have the opportunity to read in abundance. In addition, I will write. I've already gone back to my novel, Lethe in Spain, and expanded the second chapter.
I'm starting to think about the Spain novel again because the illustrator Gerar Gonzalez is swiftly moving through my second novel, Lethe in Vegas, and he will soon be taking up the pages of "Spain" to translate them into graphic form.
But beyond that, I'm experiencing a transformation in my poetry. The poems tumble out of me every couple nights and I have a renewed interested in the literary arts webzine I edit called, Escape into Life.
None of these items should distract you from my original purpose of writing this blog post, which is, to illustrate the state of consciousness I'm currently absorbed in.
I truly look forward to being banished from the public eye, albeit a form of self-banishment but banishment nonetheless. And where I would typically have been bored to my eyeballs by the prospect of not leaving the house; instead, I'm giddy and consumed with my own fantasies. Of course, this might also have something to do with the caffeine I drank only an hour ago, but it couldn't have everything to do with it.
I have no lofty goals for this period of banishment. I suppose I'll write more poems and make more progress on my novel. But I do know for certain I won't be drinking because drinking saps my appreciation for the New York Times and literature in general. It also fogs my mental eyeglasses when writing.
No, I'll stay home until the pimple on my face completely disappears, which, I assure you, will not be any time soon. See there, I've slipped my insecurity in between the lines; probably when you were least expecting it. This saves me some embarrassment because if you are still reading this essay then you are probably willing to know a little bit more about the source of my constant anxiety.
There are no high and noble aims behind my self-banishment. Only a pimple or two or three. I even have a plausible explanation for these tiny, imperceptible whiteheads which have chosen to conglomerate on my bottom lip, right under the lip line. I used Chapstick, many Chapsticks, all winter. I abused the balm and now I have to deal with this buildup of balm. Indeed, the pimples are small. But a couple of them seemed to have joined forces under my lip and formed a somewhat larger pimple.
This to me was a traumatic experience for the last month and a half--because it has been there that long. But I strengthened my resolve and would not give in to such petty preoccupations. That is, I left whatever it was alone and I went out in public as normal people do.
Not only did I go out in public, but I dated, and not only did I date, but I enjoyed a season of illustrious love. This, then, is terribly ironic, because during a time of heightened insecurity, I was actually wooing women. The most beautiful woman I have ever been with, adored me, in spite of my blemish. Until one night I brought it to her attention, for perhaps the second or third time, although surely not the fourth, at which point she called me "selfish". I jumped from my spot on the couch, as if I'd been pierced in the gut. For the rest of the night, we hardly communicated.
Strangely, it was that same woman, who, the first time I pointed out my pimple said, "It adds character."
I want to know why trivial things occupy us human beings.
We have the ability to scale such heights with our dreams and ideals. Just as easily however we plunge into a miasma of the silliest fears and preoccupations.
What are your preoccupations? I want to know. Are they like mine? Are they pimples? Or perhaps you have much more serious matters to deal with. That was Sarah's issue with my bringing up my pimple. It angered her that I was fussing about a blemish when she had far more important worries on her mind.
How does a pimple elicit the same wave of intense emotion as news that a friend has cancer or that you're on the verge of bankruptcy? Maybe it doesn't. Maybe it's wrong of me to suggest it could. But emotions don't discriminate. And often, they arise from something superficial. But buried beneath that superficial symptom is a history of trauma.
I've received a variety of reactions to my obsession. Another woman I recently met-- Well, before we met, we talked on the phone and I told her that I couldn't meet her. You see, we had a date.
She asked why we couldn't meet and I struggled for an answer, when at last I broke down and told her about my insecurity.
"Unless it tries to talk to me, I don't care what it is," she replied.
It took me a couple seconds to get the joke, and she had to remind me to laugh. But then we met and everything was fine.
The dating is over. I can't date in my condition. I can't leave the house. For over a month, that conglomerate of whiteheads haunted me. I checked the mirror every morning to see if it had gone away, but it hadn't. It never budged. It remained buried in my lip line like a determined foe.
One side of my underlip is now red from the marks I made.
I left the house once--to pick up coffee for the week. I drove to the opposite side of town because the Starbucks has a drive-thru. When the cashier handed me my change, I turned my cheek to hide the other side of my face.
More Essays . . .
ARTWORK BY THE GOOD MACHINERY
Tuesday, April 14, 2009
Aphorisms and Meditations

We use toxins to regulate our emotions.
I use toxins to regulate my emotions.
I vacillate between knowledge of my own condition and boredom.
There is a chamber I retreat to. I have learned to live with isolation, not in it.
My friends are important to me but they exist at a certain distance.
Meeting new people is exciting at first, but later less so.
Your primary world is small, and in that world is you and nobody else. Your friends exist like rings around Saturn.
You want to understand yourself, but you also want the world to understand you. Sometimes you want the world to understand you before you want to understand yourself.
You want to be safe and yet you carelessly endanger yourself.
You want to be loved and yet you create walls between yourself and others.
Loving is something you do because you want to be loved.
Your world is rootless, floating like a city beneath water; your world is rooted only in an illusory sense.
Everything you find inside yourself, you find inside the world.
Your reality is a hallucination that has been rehearsed so many times it appears fixed and stable.
Nothing can be stated with any fixed meaning. Meanings will remain personal and therefore subjective.
Your experience is whatever you say it is. Your experience is--after it happens--only a record of your experience. Told by you, this is any story you choose to tell, in any way you choose to tell it.
Your friends reaffirm your stories; your parents always do not.
As I grow into adulthood, I recognize the need to preserve my father's illusions about me. For his sake, not mine.
The past weighs on my father's mind.
Stories weigh us down unless we are continually revising them and my father is done revising his ideas about me.
I like to think of myself as someone who is re-drafting and re-drafting his life until it makes sense. Life, being irrational, never fully makes sense and so I am continually making up new stories about myself in a creative and naive way.
But this is how children think. Nothing is absolute. Everything is provisional for a child. Tell the child one story, she will believe it, because any story to a child has the possibility of being true.
Adults on the other hand conform to a rigid set of beliefs, true or untrue only according to their own reality.
I write because it is a door I once opened and I continue to go back and forth through that door. I explore the byways and the tunnels of myself.
Whatever I write always has the possibility of being true--at least to me--and to write down my reality is satisfying.
The question of whether what I do is art or not. Sometimes I am intentionally creating art and sometimes I am just writing. The best writing comes out when I am not intentionally doing anything--in fact the best writing comes out when I don't know what I am doing or saying. But I think I like to write because it feels like someone is listening. It feels like what I am saying is not only true to me but true to others as well.
In a way, I am a compulsive writer. I will write because it's a drive.
Maybe I should stop.
Sometimes I do. But when I stop writing, I read a lot and reading activates my imagination and soon I am writing again.
Whatever I've been saying in the last couple pages, I'm not aiming at anything. I'm circling around the mood and the moment of my experience, gladly touching the borders and playing with the edges.
Things are going to change.
For example, I am going to quit smoking. I bought a carton of cigarettes a week ago and it's almost done. I have one pack left.
After smoking for two weeks straight, my verdict is I feel like shit. My body aches, my lungs can barely breathe, and I feel dirty. Worse I feel paranoid about being dirty. Maybe "paranoid" is too strong a word. I feel obsessive about cleanliness. I brush my teeth fifty times a day; I wash my hands twenty-five times a day.
Right now my cat is sleeping and my notebook is resting on his midriff. The official time is 5:03 in the morning. I'm going to step outside for a cigarette, again and again, until I decide to go to bed. I will not go to bed until I am finished writing this.
I'm back from smoking. I learned nothing new, only that I have to quit.
Everyone has their own secret life. We all have minds which are islands--between those islands flow the rivers of our hearts, but the mind itself is lonely. Which is strange, because we retreat into our minds so often. We retreat into our thoughts, our ideas, our beliefs, and we find solace in them even though they are ridiculous.
But there is safety in one's private mind, the thoughts of which no one can read. Because they are private entertainments of the self.
If you have pets, then you know the comforts of having non-human company. The human-animal connection is unique, and for obvious reasons, animals are incredibly loved by humans.
Ultimately, I think what we are stuck with is habit. Whatever habits you cultivate within your lifetime, those are the heavens and hells of your existence. Many habits fall between these two extremes and for that reason our lives are pretty mundane.
Most of our habits are mundane in the everyday sense. We go to work, we eat meals, we tend to our homes and our families, we do chores. Perhaps that's why novelty is so interesting and stimulating.
I seek novelty. If I am not seeking novelty in dramatic and bizarre ways, I am seeking novelty in the miniature sense.
I do appreciate a well-ordered life, everything manageable and in its right place. This stems from the pure gratification of a sense of control. But as far as I can tell, control is something that most people try to exert over themselves and their environments.
My habits are deeply fulfilling mundane rituals that I carry out, such as going to Borders every morning to have my coffee and read the New York Times. To me, the New York Times is my mainstay to a normal, functioning adulthood. I am not saying the specific paper has the same magical effect on everyone. But for me reading the paper is very soothing and it reaffirms my sense of self.
I admire the quality of the writing in the New York Times and I believe it improves my own writing. But there is something else about the ritual which stabilizes me.
And yet, I seek novelty.
Women provide men with an immediate burst of novelty and distraction. If you are ever bored, start a romantic relationship and you will find how interesting your life gets.
But I believe that I ultimately retreat back into my own private mind, and that shared space between me and another person gradually lessens or dries up and dies.
I believe in long-term relationships, I am cynical towards permanent ones.
Right now I don't know where I am in terms of the opposite sex. Do I want to get married? Do I want to have children? Would I prefer to stay single?
The opposite sex is delightful. Loving can also be a doorway to a higher potential for one's being, but in most cases, we are not mature in love for long enough. We stop loving and I cannot explain or understand that.
Love gets degraded over time, diminished, and terribly distorted until it is not even love but something representing its opposite: hate.
Now my cats are quiet. The heater has stopped humming and the only sound in the room is of my keys clicking.
I think about my past life, my life in Spain and in Las Vegas. I think of the adventures I once had and now being here in this moment of early, untainted adulthood.
I'm making the right choices now. Thank God. I am rational about things. I am aware of habit and how it has the power to lull me into a state of unconsciousness.
We grow ourselves. We grow our personalities and our behaviors. Like a garden, we grow ourselves--and once we were sick gardens but now we are growing healthier. Once we were patches of weeds over a dusty mound of dirt, but now we are seeking wholeness and fruit.
We want to bear fruit. For ourselves, for others.
We learn in time to survive, and even better, we learn to thrive.
It is the unfortunate fact of being human that we are constantly working against ourselves. We like to be our own enemies. And I think it is better that we just accept this as a matter of fact, that we accept the demons inside of us which want to destroy us, even if that destruction is a slow-going poison.
Because, ultimately, we must die and we know we must die. So the destructive force inside each one of us is familiar and close. We know the destructive side as much as we know the creative side. We know when we do good to ourselves and our bodies, and we know when we do bad.
Good and bad are only relative to our own individual experiences. Doing wrong to others is doing wrong to oneself.
But it is almost impossible to escape the cloud of unconsciousness that hovers over each one of us. And in an ironic display, we can see everyone else's flaws but not our own.
It is like the inability to smell one's own scent. The smell is palpable to others, but not to yourself.
I don't repress the mystery about myself; I form it.
I also celebrate it.
I have been called naive before, and after all, one of my blogs is called "The Blog of Innocence."
We are all innocent in life. We are innocent to the radical mystery of it.
No matter what we do, what errors we make, what horrors befall us, we are all human, we are all innocent.
ARTWORK BY MOLLY BRILL






